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july

16jun - 2sepAll DayANNIE EVELYN: MULTIPLE IMPRESSIONS

Event Details

This summer, viewers can expect to see and feel the unexpected in Annie Evelyn: Multiple Impressions, a solo exhibition of recent work by the furniture maker at Houston Center for Contemporary Craft (HCCC). Punctuated by carpeted shapes that frame her furniture, Evelyn’s installation entices the visitor to experience her craftsmanship firsthand by taking a seat. Using alternative materials to upholster her chairs, she manipulates tessellations of cement and aluminum to create comfortable, squishy seat cushions. These seemingly hard and rigid materials are so surprisingly relaxing to sit on, the experience of interacting with the work is sure to change the viewer’s first impression.

HCCC Curator, Kathryn Hall, explains her appreciation for Evelyn’s work: “At first, I was struck by the beauty of Annie’s patterned upholstery. Whether she is working with the smooth contours of river rocks, spotlighting the natural grooves embedded within tree bark, or fashioning geometric compositions from aluminum, her use of unexpected materials stirs one’s curiosity about the construction of her pieces. After getting to know Annie and visiting her studio, I began to see the parallels between her work and her charming humor and caring personality. While her ingenuity and attention to detail shine through her pieces, her furniture is not meant to be appreciated as delicate eye candy, but rather it begs to be sat upon and enjoyed.”

Evelyn continues to explore new ideas, often working on multiple projects simultaneously and sometimes collaborating with other artists. Her experimental methods tip traditional furniture making on its head. For instance, her recipe for comfort lies within the clever construction of the upholstered seat: most of her furniture includes a layer of foam that conforms to the body. In the exhibition, several unfinished samples demonstrate this process. As an interactive installation, Multiple Impressions inspires a sense of wonder and dares to confront conventions of domestic comfort.

Annie Evelyn: Multiple Impressions was curated by HCCC Curator, Kathryn Hall.

About Annie Evelyn
Annie Evelyn currently lives in Penland, North Carolina, where she is an artist-in-residence at the Penland School of Crafts. She received her BFA (1999) and MFA (2007) in furniture design from Rhode Island School of Design (RISD) in Providence, Rhode Island. Evelyn has taught at Penland School of Crafts, RISD, Anderson Ranch, Parsons-The New School, and other institutions. She is the 2016 recipient of The John D. Mineck Furniture Fellowship, and, in 2011, Indiana University of Pennsylvania’s Center for Turning and Furniture Design awarded her a Windgate Furniture Residency. Her work has been featured in American Craft Magazine and in The Independent Design Guide: Products from the New Generation (2009) by Laura Housely, among other publications. She has exhibited her work around the country as well as abroad, including countries such as China, France, Italy, and Spain. Her work has been shown at Arrowmont Gallery, Gatlinburg, TN; Center for Craft, Creativity, and Design, Asheville, NC; ICFF, New York, NY; Colton Gallery, New Orleans, LA; RISD Museum, Providence, RI; and Kip Gallery, Indiana, PA.

Time

June 16 (Friday) - September 2 (Saturday)

Location

Houston Center for Contemporary Craft

4848 Main St., Houston

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Price

Free

16jun - 2sepjun 1610:00 amsep 2EDWARD EBERLE RETROSPECTIVE

Event Details

Houston Center for Contemporary Craft (HCCC) is pleased to present the first career retrospective of work by Pittsburgh-based ceramic artist, Edward Eberle (b. 1944, Tarentum, PA). Over the past three decades, Eberle has explored and tested the limits of porcelain, with his prolific body of work ranging from classically inspired vessels to altered and deconstructed sculptures. The retrospective brings works from the mid-1980s to the present into dialogue, allowing visitors to discover the timeless and intriguing work of a true master. Comprised of over 40 works, the show highlights the evolution of Eberle’s exquisite forms and fragmented dreamlike imagery by featuring both his trademark porcelain work, as well as a series of works on paper. Audiences will see paper-thin wheel-thrown vessels of both closed and open forms, as well as more conceptual pieces from the early 2000s. The exhibition culminates with examples of the artist’s most recent mixed-media sculptures and large paper cylinders.

“Looking back at earlier work has been revealing,” notes Eberle. “I see that some periods have been particularly strong, and I’m learning from them all over again. I’m appreciating where the work has gone, but I’m very careful not to look back too hard. My work has to be right now, in the present. I keep the Retrospective at a distance, while still appreciating it.”

Using black and white terra sigillata to embellish the surface and create contrasting images, patterns, and textures, Eberle then paints his works with elaborately interlinked human, animal, and celestial forms. “As soon as that black hit the white, I knew what I had been hunting for,” the artist recalls, discovering what would become his signature method. “And I had been hunting for a long time.”

Eberle’s ceramics are influenced by the Oribe and Kutani periods in Japan, the black-on-white Mimbre bowls of Southwestern New Mexico, and Pysanky (Ukranian Easter eggs). His painting and sculpture influences include the works of Picasso, Miro, Duchamp, Klee, and de Kooning, among others.

HCCC Curator Kathryn Hall commented, “As the third venue on a national tour of the exhibition, HCCC is excited to partner with the Society for Contemporary Craft in Pittsburgh to bring Edward Eberle’s work to Houston. Eberle’s paper-thin vessels are enchantingly beautiful. Drawing from stream-of-consciousness, the black and white imagery in his pieces stirs the imagination and showcases his exceptional skill.”

Edward Eberle Retrospective was organized by the Society for Contemporary Craft, Pittsburgh, Pennsylvania.

Edward Eberle

Born in Tarentum, PA, in 1944, Edward Eberle received his B.S. in 1967 at Edinboro State College (Edinboro, PA). After completing his M.F.A. at New York State College of Ceramics, Alfred University (Alfred, NY) in 1972, under the guidance of master artists Ted Randall, Daniel Rhodes, Val Cushing, Bob Turner and Bill Parry in sculpture and John Wood in drawing, Eberle joined the faculty at Philadelphia College of Art (Philadelphia, PA). He was later hired as an associate professor in ceramics and drawing (1975-1985) at Carnegie Mellon University (Pittsburgh, PA). In 1985, he established a studio in Millvale, PA, where he worked as a studio artist in ceramics and drawing for 26 years, until 2010. He has been in his current studio, located in the Homestead section of Pittsburgh, since 2012. In addition to being represented in a number of museum collections, his work has been featured in numerous solo shows in New York, Chicago, and Pittsburgh, including two exhibitions at the Carnegie Museum of Art (1980 and 1991) and one at the Columbus Museum of Art (1999).

About Society for Contemporary Craft

Presenting contemporary art in craft media by regional, national, and international artists since 1971, the Society for Contemporary Craft (SCC) offers cutting-edge exhibitions focusing on multicultural diversity and non-mainstream art, as well as a range of studio workshops, community outreach programs, and a retail store. Through its mission of engaging the public in creative experiences through contemporary craft, SCC offers meaningful art opportunities for more than 145,000 people a year through four core values: providing vital support for artists, filling critical gaps in public education, sharing cross-cultural perspectives, and using art to build community. SCC is located at 2100 Smallman Street in the Strip District of Pittsburgh, PA. For more information, visit www.contemporarycraft.org.